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Carnal Knowledge is an outcome of the renewed energy and interest in moving beyond the discursive construction of reality to understand the relationship between what is conceived of as reality and materiality, described as the ""material turn."" It draws together established and emerging writers, whose research spans dance, music, film, fashion, design, photography, literature, painting and stereo-immersive VR, to demonstrate how art allows us to map the complex relations between nature and culture, between the body, language and knowledge. These writings are unique in the field because they represent the authors' commitment to a new materialism through the creative arts. The questions they address include: Does the material turn in the creative arts take a different turn from continental epistemology, philosophy and the humanities? How does the agency of matter, the material nature of artistic practice and the notion of ""truth to materials"" affect what we understand as the ""new materialism?"" In engaging with these questions the book offers perspectives on the emergence of this exciting fresh field of new materialism.
- Sales Rank: #6957020 in Books
- Brand: Brand: I. B. Tauris
- Published on: 2013-01-08
- Original language: English
- Number of items: 1
- Dimensions: 11.13" h x .83" w x 6.35" l, .90 pounds
- Binding: Hardcover
- 256 pages
- Used Book in Good Condition
Review
Carnal Knowledge is a new materialist collection, not only because it brings together new materialist work, but also because it consistently and constantly reflects on what is new about new materialisms (it does not apply conceptual tools such as affect, but traverses bodies of thought). Iris van der Tuin, Women's Studies International Forum
About the Author
Estelle Barrett is Associate Professor in the School of Communication and Creative Arts at Deakin University. She is the author of Kristeva Reframed: Interpreting Key Thinkers for the Arts (2011), and is co-editor, with Barbara Bolt, of Practice as Research: Approaches to Creative Arts Enquiry (2007), both I.B.Tauris. Her reviews and articles have appeared in such publications as Text, Social Semiotics, Double Dialogues and the Journal of Visual Arts Practice.Barbara Bolt is a practicing artist and art theorist and is Associate Dean at the Victorian College of Arts at the University of Melbourne. Her publications include Art Beyond Representation: The Performative Power of the Image (2004) and Heidegger Reframed: Interpreting Key Thinkers for the Arts (2011), both I.B.Tauris. She is also co-editor of Practice as Research: Approaches to Creative Arts Enquiry (IB Tauris, 2007), with Estelle Barrett, and of Sensorium: Aesthetics, Art, Life (2007) with Felicity Coleman, Graham Jones, and Ashley Woodward.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Strong Introduction
By Book Enthusiast
The introductory essay by Barbara Bolt is worth the price of admission alone. Highly recommended to those interested in the intersection of materiality, aesthetics, and affect.
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